General Conventions of a Music Promo
Camera Work
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Close-ups of instruments/peformers.
- Shots to show that the band can perform by cloe-ups of them singing or playing instruments, highlighting their skills (musicianship).
- Movement creates interest
- Lots of different perspective shots, showing the audience as well as showing the band.
- Performance to the camera, selling the idea of going to gigs and seeing the bands perform live.
Narrative/Performance
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Often strong link to the lyrics in the narrative of the video.
- Bands are more performance based (Live gigs) whereas solo artists are more likely to have glamorous videos.
- Narrative of video leads to repeatability, people want to watch it more than once.
- Narratives are often quite complicated meaning that repetitive viewing of it means you may see something different every time, making it memorable.
- Intertextual references to add interest and make the audience feel like they are 'in the know', therefore they understand the story/concept whereas some people may not.
- Don't use traditional narrative so therefore there is not necessarily as start, middle or an end.
- Some artists create concept albums where each song in the album adds up to create a story and paint a picture for the audience.
Editing/Editing Effects
- Cuts between shots, sticking to the beat of the song, giving fluency, pace and interest.
- Genre of the song dictates the pace of the editing, e.g heavy metal - chaotic pacing.
- Clever special and visual editing effects very common in modern music promos.
- Use of green screen, making videos cheaper to produce due to no need for location filming.
Mise en scene
- Instruments (Mimed) showing that they're credible performers and gives sense of realism.
- Location tends to match the lyrics and genre of music.
- Stereotypical representations of setting.
- Costumes link to genre (Pop = Glamorous, Indie = Run-down and casual)
- High key lighting, lots of unnatural lighting for effect and highlighting key performers and scenes.
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